Decoration

Appiani

The mosaic of your dreams.

Mosaics history from Appiani

History

Appiani mosaics has actively promoted its products on the Italian and international markets since it was first founded in Treviso in 1873. After initially focusing on the production of friezes, pan tiles and bricks, widely acknowledged for their high standards of quality in Italy and abroad, it turned to the production of pressed powdered clay tiles at the turn of the 20th century and created new systems for processing and firing materials.

Its founder Graziano Appiani started production of the first coloured ceramic tiles in 1910 and built “Eden village” to provide housing for his workers in a village that had its own restaurant, cinema and theatre: the first example of a forward thinking style of business. Throughout the period of fascism in the Twenties, the company worked to deliver orders for floor tiles for barracks, hangars, hospitals and railway stations.

After the end of the war, it started to produce the “red stoneware” that the company became famous for during the period of reconstruction and the years of the economic boom. In 1960, the Appiani family embarked upon a policy of modernisation and started to work on projects with designers such as Giò Ponti and Pompeo Pianezzola. It completed the building of an innovative production plant the following decade to make glazed porcelain stoneware using exclusive “monopressocottura” technology – single pressing and firing. The company was taken over by the Bardelli family in the Nineties, a well-known name in the industry, who decided to focus on reinstating tradition and heritage by developing the production of ceramic mosaics. Its manufacturing plant was completely updated in 2000 with the introduction of the latest automated systems and complete computerisation.

Collection Decors

We learned the art of mosaics from Venetian masters.
A great ceramics industry would be
nowhere without the skill of its artisans.
Unique works for your unique character.

Denim

Iconic, robust, flexible, timeless. Denim takes jeans out of context, in a surprising new form of expression. Subliming and updating the unique properties that have always made jeans a universal icon of style. The material is impressed with an innovative new finish suitable for floors and walls.

The essence of the yarn used to make jeans is represented in three patterns – Streaked/Striato, Wavy/Ondulato, Ruled/Sfilato – each developed in two different variants, with different patterns and colours. What changes is the inclinations, the relationship between warp and weft, the regularity of the stripes and weaves.

Collection Decors: Metrica

Metrica defines space with simple shapes and broken fragments capturing the essence of ever-changing geometry.

Metrica

It is apparently the periodic recurrence and regular, harmonious flow of geometric elements that dictates the rhythm of Metrica. But in actual fact, modulation is subtle, intermittent, and unforeseeable: the linearity of the geometry is interrupted and motion is added with beats and cadences of light and colour. The alternation of accents is guided by a scheme which generates and defines new compositions.

The 4 decorations of Metrica, available in 4 colour variants, take their simple, explicit names – Cerchi, Incroci, Trattini, Parallele – from the geometries naturally created by juxtaposing multiple modules. If the Cerchi modules are set side by side, we obtain a circumference; grids and intersections are generated by the Incrocimodule; while the Trattini and Parallele modules form the motion of straight and parallel lines and angles.

Memorie

The art of the mosaic, now as then.

“Memorie” is a perfect blend of architecture, design and art, which tells a fascinating story using mosaics, small glazed mosaic tiles of pure colour. Memorie is a journey back in time to the fascinating, ancient tradition of mosaics, which offers colours, sizes and shapes and finishes essential to create polychrome surfaces and large areas, combining with other shapes and sizes typical of ceramic tradition

Collection Decors: Memorie
Collection Decors: Tessuti

Tessuti

“Tessuti” is a series of figurative decorative modules which draw on the great tradition of mosaic. “Tessuti” means fabrics, and it is a vast collection of ceramic fabrics for unlimited design solutions.

Allure

The “Allure” single-press firing range is suitable for all wall covering uses in residential, commercial and wellbeing settings. These products are recommended for floor tiling in areas with low traffic. The colour shades of the photographed products are only for reference.

Collection Decors: Allure
Collection Decors: Allure
Collection Decors: Texture

Texture

Texture combines architecture with design and art. A story told in mosaics, little enamelled ceramic tiles in pure colours. Mosaics that take in light and reflect it to multiply their image and create multi-coloured surfaces and fields

Collection Decors: Texture
Collection Decors: Texture

Highline

Highline represent​s​ a smart reinterpretation of ​the ​brick design​. It​​ consists in fact of ​particular ​geometric​ effects​, well expressed by the ​brick’s silhuette ​and ​​made with mosaic tesserae, little glazed​ ceramic tiles in pure colors. Every sheet of mosaic tiles can generate an effect​ of ​both ​glossy an​d​ matt finishing​​​, every tesserae seems to cath-grab the light​ and reflect it giving a seductive perspective to the surface

Collection Decors: Highline

Sogni di Cristallo

Murano’s Art Glass Master

Sogni di Cristallo was born with the intention of unifying tradition and technology and exporting Venetian artisanal tradition all over the world

The history and tradition of murano’s glass

For centuries the handcrafting of glass has been an important economic reality for the city of Venice. The oldest document found related to the art of glass making dates back to 982. It describes a donation of glass and after the discovery of this document, the 100th anniversary of glass blowing was celebrated in Venice in 1982. Many documents from the end of the 1200’s testify the foundation of glass factories along the so-called Rio dei Vetrai a Murano, where nowadays you can find the oldest glass laboratories.

Starting in the year 1450, thanks to the intuitions and genius of Angelo Barovier, a member of an ancient Murano family, there was an evolution in glass working techniques that would develop in the following two centuries. These changes brought about elevated creations and an incomparable purity in the glass. In the XVI century, Murano’s glass saw its brightest age: the techniques were perfected and the materials were fully developed thanks to the experiences of the fifteenth century.

Photo Picture View of the Famous Murano glass in Venice Italian City
Sogni di Cristallo for the new Grand Ryad Hotel Mogador in Casablanca

From then on, the glass masters dedicated themselves to perfecting the shape and the form. Blown glass became incredibly thin and pure, the shapes more essential and light. It was made to enrich the surfaces of European nobility. In those days there was also the presence of industrial espionage between the glass factories. Glass makers attempted to steal the secret techniques of the best producers in Murano.

The Venetian Republic acknowledged the artistic talents of those masters who introduced innovative methods in glass making. They also insisted on protecting their secrets, such as the invention of the techniques filigrana a ritortoli and the filigrana a reticello. These assigned “privileges” lasted for only a certain amount of time before the methods were used by all of the factories on the island.

The government also tried to limit the migration of the glass masters and their knowledge: in 1605 the Golden Book was written listing the names of noble families on the island of Murano, also known as the Glass Nobility.

In the 20th century, Murano’s masters followed contemporary artistic movements, dedicating themselves to a sophisticated craft and experimentation in their own art. They respected the millenary tradition that allows Murano glass to be a unique product, prestigious and incomparable.

Sogni Di Cristallo In New York

The Work Process

Venetian glass is made out from silica, a particular sand that becomes glass only after a certain chemical reaction. Adding sodium lowers the temperature of this important reaction. The potassium, an alternative to sodium and typical substance from Nordic countries, generates a bright glass that is good for grinding and engraving (like the English lead glass), but not for the complex work, typical in the Venetian tradition. The first mixing of materials takes place at night, and this process lasts the entire evening.

Sogni Di Cristallo for Jamie’s Italian Restaurants, Rotterdam, Netherlands.

To the two principle materials, a stabilizer (similar to calcium carbonate) is added, and eventually the color and opaque formula. The reverberation oven melts the materials at a temperature of approximately 1400 °C, and in the morning the glass workers find the melted materials ready to be modelled. The glass mix remains workable until it reaches a temperature of 500 °C. Those who work on the glass are collectively called la piazza, a group composed of helpers who are coordinated by the glass master.

The product is worked on by expert grinders that then proceed with the smoothing of the glass and other finishing touches. The engraving process is completed in independent laboratories by very highly specialized decorators. If the final decoration requires color, the object is painted in another specific laboratory.

Techniques

Hand Blown glass

The glass blowing technique was discovered in the First century B.C on the oriental shores of the Mediterranean Sea. This endures as the most important event in glass history. Particularly in Venice, hand glass blowing remains a privileged technique that produces high quality products.

Murano’s masters have developed, starting in the Medieval Ages, an extraordinary ability to model and have invented new ways of making better shapes, always more and more sophisticated. Of all the techniques the most important is the filigree: in its both ways “retortoli” or “reticello”, which were born in the XVI Century, they recreate the effects of a net inside the glass itself.

Carving

This is used more often with translucent or slightly colored crystals in two ways: with a point of a diamond or wheel carving (realized with a small rotating metal wheel and provides a deeper cut than the diamond process).

Sogni di Cristallo: Delfi dei Dogi Venetian Chandeliers

Murrina

This ancient technique, even older than the glass blowing, was rediscovered in the XIX century after almost two thousand years of not being used. Using a pre determined drawing, single colored tiles or sections of colored glass sticks are combined in the oven. This process allows the worker to obtain really brightly colored glass.

Sogni di Cristallo: Dafne Tavolo The Levant Collection

Crystal work

Since the Medieval Ages glassware has been a typical product of Murano. Today, well known designers collaborate with factories to realize contemporary models.

Sogni di Cristallo: Van Gogh Poppies Artistic glass

Lamps

From Medieval Ages to the early XVIII century the so called cesendello was the most refined illumination system in houses and churches: it was a stretched out container, usually hung from the ceiling, filled with water and a layer of oil with a wick. A remarkable discovery in the XVIII century was the ciocca, a crystal lamp with arms that carried candle holders. This design included elements in blown glass and was decorated with colorful glass flowers and other pending elements: this model of a lamp is still highly produced today.

Sogni di Cristallo: Atena Lampshades

Sculpture

The difficulties in the techniques involved in modeling heavy masses of incandescent glass have been present for glass workers since the 1930’s. Today, sculptures occupy a fundamental position in the production of Murano’s glass.

Sogni di Cristallo: Teti Modern design

Mirrors

In the last centuries, glass sheets were handmade in Murano (by opening a blown cylinder) and then were elaborated by the mirror shops in Venice. This tradition has been preserved and expert mirror masters use the finest decorative techniques to equal the quality of the original masterpieces.

Glass Pearls

The most simplified pears are called conterie, pearls that can be rounded or with edges, created by extending hot glass tubes from the oven for up to ten meters. The manual skills are exalted in a so-called lume, a glass stick softened by the fire of a flame that is spooled around a metal tube. In this way, the pearl can assume every form the master desires and is later decorated with colored glass.

Sogni di Cristallo: Bisanzio The Levant Collection

Working with Fire

This effect is created by using a colored glass stick softened by a flame. It allows one to realize objects in any desired shape.

Sogni di Cristallo: Chandelier Van Gogh Yellow Iris Luxury Collection

Enameling

This describes ornamental painting on the glass’ surface within the same glass material. Coming from the Islamic and Byzantine tradition, the art of enameling developed in Murano in the XIII century.

Sogni di Cristallo: Van Gogh Iris Deluxe Impressionism collection

About Sogni di Cristallo

Sogni di Cristallo

believe in spreading the brand name “Made in Italy,” but more importantly “Made in Venice.” Our ultimate goal is to bring together the thousand-year-old art of producing Murano glass with the new selling platforms and new opportunities in exportation. With additional outlets such as Ebay, our goal is to provide Murano handcrafted products at an affordable price, without sacrificing the quality.

Murano Glass Chandeliers #11 – Ca’ Rezzonico Applique – Sognidicristallo.it

All of our products are handmade using antique techniques by Murano’s masters, and all come with a certificate of guarantee. Our models vary from classic designs to the newest trends in glass. They are an ideal and affordable way to furnish your home, restaurant, hotel or store. We are always available for our clients who may contact us via web (email or Skype) or by telephone, from the moment your order is place until the delivery date.

Also available (particularly for lamp orders) is specialized telephone assistance for assembly. Because our products are handmade, every product that we sell can be fully customized. The customer can request the size and dimensions as well as any color they prefer. The packaging of all of our products is professionally monitored and secured using bubble wrap. Every order is completed within a 20 day maximum period and arrives with secure express UPS shipping in 24 hrs. The customer has 10 days to verify the quality of the product and confirm that the material is complete and intact. If the customer is not satisfied with the purchase they may send it back for a full refund.